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Hedwig E. Pillitz

(London 1896-1987)


Joan Hood, seated on a wall in a landscape, with a walking stick and cigarette, c.1930-1935  *SOLD*


oil on canvas

signed lower right ‘PILLITZ and inscribed by the artist on the canvas overlap, verso ‘Joan Hood, 29 Abercorn Place, London NW8 [the artist’s studio address] by Hedwig E. Pillitz’, and inscribed with the artist’s home address ‘H.E. Pillitz, 80 Canfield Gardens, NW6’ on the stretcher

61 x 51 cm.


Provenance

From the artist’s estate.


Research into the identity of Joan Hood so far draws a blank, however she may have been related to the pioneering British archaeologist Grace Crowfoot (née Hood) (1879-1957), or was possibly an actress (a BBC archival photo from the 1930s lists a ‘Joan Hood’). If she was indeed an actress, she may have come to know Hedwig Pillitz through the artist’s sister, Doris (1905-1959), a stage actress. Whoever she was, Pillitz brings a wonderfully masculine energy to her depiction, poised as she is in a landscape, with a walking stick to imply an affinity or affiliation with the great outdoors, and a cigarette that gives a wonderful nonchalance. She looks like the imagined heroine of a novel by Daphne du Maurier – the Second Mrs de Winter, from 1938’s ‘Rebecca’…


Hedwig Pillitz was born in London to Hungarian Jewish émigrés, Arpad Armin Pillitz (1867-1947) and Josephine, née Fischer (1876-1965). She had two younger siblings, Doris (1905-1959) who became a successful stage actress, and George (1909-1981). They lived at 80 Canfield Gardens in South Hampstead, and it was there that the girls attended South Hampstead High School. By the 1920s Doris was studying drama at the Central School of Speech & Drama and Hedwig had exhibited works at the Paris Salon. It’s logical to assume that she may well have studied art in Paris. In 1924 she exhibited her first portrait at the Royal Academy Summer Exhibition, a portrait of ‘Madamoiselle Y’, possibly depicting the portrait photographer Yevonde (Yevonde Philone Middleton, née Cumbers (1893-1975)).


By 1926, Hedwig not only had a painting at the Paris Salon, she was also exhibiting a still life of flowers at the Walker Art Gallery in Liverpool. Nonetheless, portraits seem to have been her passion. She established her studio at 29 Abercorn Place in St. John’s Wood, painting a range of Bohemian and artistic sitters – fellow artists, writers, actors and models, including Marguerite Kelsey, a professional artist’s model most famously painted by Meredith Frampton (Tate Britain), the artist and novelist Barbara Comyns (with FEFA), Shulamith Shafir, a Ukrainian-Jewish concert pianist who made her London debut in 1936 aged just thirteen (Private Collection), the actress Dorothy Black (V&A, London), and the Chinese dancer and mother of contemporary Chinese dance, Tai Ai-lien (with FEFA). By 1940, when Pillitz exhibited the portrait of Tai Ai-lien at the Royal Academy’s Summer Exhibition, Royal Academy’s Summer Exhibition, she was represented by The Rowley Gallery on Kensington Church Street, London.

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