top of page

Amy Watt

(Plymouth, Devon 1900-1956 Chelsea, London)

Study of the Artist's Daughter, Mary Millar Watt (1924-2023), c. 1933

oil on card

16 x 19 cm.

in its original, stacked frame


From the Estate of Mary Millar Watt (1924-2023)

This intimate study of the artist's daughter Mary has all the immediacy of an oil sketch, with ink underdrawing visible beneath. Mary is defiantly not posing, slouched in a comfortable chair, wearing a party frock with corsage and little purple waistcoat - perhaps it was the culmination of a game of 'dress ups'. At the time the family were living at 'The Studio', a house designed and built by Mary's husband John, in Cole's Oak Lane, Dedham, offering the same magnificent views that Constable had painted in the 19th century.

Watt was a busy artist, in a supportive marriage with fellow artist, John Millar Watt (1895-1975), whom she met whilst studying at St. Martin’s School of Fine Art. They married in 1923 and both worked for advertising agencies as staff artists. They moved to Dedham in Essex where they designed and built a modern studio overlooking Dedham Vale, befriending the artist Alfred Munnings and his wife, Violet, frequent visitors to their home. Watt became a member of the Ipswich Art Club from 1926-1935, before the couple moved to St. Ives where they became temporary members of its artistic colony, taking on the Chy-an-Chy Studio overlooking the harbour. At the time, they would have got to know Barbara Hepworth and Ben Nicholson, who famously relocated from Hampstead to St. Ives at the start of WWII.

Over the course of her life Amy Watt exhibited 19 works at the Royal Academy Summer Exhibitions between 1929 and her death in 1953, and also showed at the Paris Salon over the years, as well as in local shows in Suffolk, Essex and St Ives. After the Second World War she and her husband moved to London and made their home in Chelsea, at 8 Walton Street.

bottom of page